Film & Television

I lead festival and culture programmes linked with cinema, dance, media, performance and technology. I started teaching 25 years ago, and have been at ETIC since 1997. I have worked in the school as a coordinator of the image and sound department and as a creative director for a significant number of years. I currently teach in the film making field – Cinema, Performance and Media degrees. Units taught include ‘Documentary Film, ‘Film Making’, ‘Creative Process’, ‘Body and Technology’, ‘Video Dance’ and ‘Experimental Film’. For many years I co-supervised final film projects, presentations and debates with students in a national and international context. I really like the exercise of shooting and editing images and sounds in a real experimental way. I regularly go to the theatre, contemporary dance and music performances and I dedicate all my free time to my actual research between movement images and performing arts. I love spending time in the countryside and near the ocean, learning more about the aesthetical impact of nature. Essentially, I love travel and discovering the strong details that change my surroundings.

Fabrícia Valente is a PhD researcher at Architecture of Contemporary Metropolitan Territories – ISCTE, Lisbon. With a degree in Architecture (pre-Bologna Declaration) from Universidade de Évora (Portugal) in 2007, and further education in the fields of Photography (from Instituto Português de Fotografia, Portugal), Video (from CENJOR, Portugal) and Planning and Producing Temporary Exhibitions (from Fundação Eugénio de Almeida, Portugal). Lines of interest and research include the multidisciplinarity of Architecture and its possibilities of interface, namely with Visual Arts, Cinema and Music.
Her Professional activity is divided between curatorship, critique, writing and cultural mediation. Fabrícia was Curator and Head of Programmes for the KAIROS Pavillion (Pavilhão KAIROS) and developed the educational project O Gesto como Tradução (Gesture as Translation) for the Dar Lugar ao Acontecimento programme held in the Architecture and Theatre cycle of the Almada Theatre Festival.

Tatiana Macedo is a trans-disciplinary artist of Portuguese and Angolan parentage, born in Lisbon in 1981. The artist/director works and exhibits regularly in a transdisciplinary way, within the context of the Visual Arts. Tatiana Macedo studied at the Faculty of Architecture, University of Lisbon (2000), at Central St Martins College of Art & Design, University of the Arts London (Foundation Studies in Art & Design, 2001 and Bachelor of Fine Arts, 2004) and at the London College of Communication (Studio and Location Photography, 2004). After returning to Lisbon she is selected for the Gulbenkian Creation and Creativity Programme in Photography in 2005. In 2009 the artist enters the 1st Master Programme in Visual Cultures Anthropology at the Faculty of Human and Social Sciences – Nova University of Lisbon.

In 2017 she is invited to undertake a residency at Iwalewahaus, University of Bayreuth, Germany, in the scope of the “Exodus Stations #2” project where she develops a new video installation entitled “Mixed Feelings: A Composition for Chamber Orchestra”. In 2018, she is invited by curator Delfim Sardo, to create a new piece for Culturgest Porto which originates her first expanded fiction film: “We Have Run Out of Names for the Storms”. She participated as a director in two collective projects with C.R.I.M film productions: “Cadavre Exquis”, 2015 and “Contágio”, 2021. In 2020 the Interseccion Contemporary Audio-visual Art Festival (Coruna, Galiza) dedicates a retrospective to Macedo’s film and video works. Alongside her artistic practice, she develops her academic research through written essays but also audio-visual and interdisciplinary ones, questioning perceptions and discursively rehearsing new relations with image, gesture, sound, time and place / non-place within the production of knowledge. Tatiana Macedo is represented in various public and private art collections in Portugal and abroad.

Graduated in Psychological Sciences, I began, in 2004, my work in education on creative areas while developing academic investigation in parallel. I’m part of the teams of ETIC, as teacher in Cinema/Television HN course, and of EPI as a pedagogic consultor, candidates profiling and courses composition, teacher and responsible for individual mentoring service to students. In this school, I work transversally with Animation, Graphic Design, Photography, Acting, Multimedia, Musical Production, Sound and Video courses. I took my academic training in psychology to the pedagogical context where I cross it with intervention in professional, artistic and technical education. Along this connection with education, I highlight particularly in my work with students, the dedication to individual and collective creative processes, the strong investment in personal development, critical-analytical thinking, writing and methodological reflection, which I also apply in collaborations with groups of artistic works, outside school contexts, and with private practice of counselling.

Graduated from ESTC (National School of Film and Theatre), he has a master’s degree in Cinema by FCSH-UNL (Faculty of Social and Human Sciences at Nova University Lisbon) and holds a PhD in Arts from the University of Lisbon. In 2020, he published the book “Sculpting Space – The cinema of Frederick Wiseman”, based on his PhD dissertation. He is a researcher at CEC (Centre of Comparatist Studies of the University of Lisbon).
He currently teaches “History of Cinema” in the Sciences Communication Graduation Course at FCSH, “Portuguese and Brazilian Cinema” under the CIEE international course program, “Documentary” at ETIC (Professional School of Innovation and Creation Technologies) and “Spatial Representation”, “Story Board” and “Visual Narrative” at EPJP (Jean Piaget Professional School). He is the coordinator of the National Cinema Plan at IDS (Institute for Social Development).
In 2011, he made the short film “Banana Motherf*cker”, which received several awards at international venues. In 2014, he made the experimental documentary “Where my friend made a painting”, screened at several national and international festivals since then. In 2017, he made the medium-length film “Afternoon”, which received the Special Jury Prize at DocLisboa 2017 National Competition. “Day Shift” is his first feature film, which premiered worldwide at DocLisboa 2018 and was commercially released in 2019.

I graduated in Communication Sciences in 1998, and, since then, I have worked in education as well as in media production, mainly for Television. I teach Production, and a variety of Project and Workshop courses at the University of Beira Interior, mostly in the Film Undergrad degree, but also in the master’s of Multimedia, Journalism and Digital Games Design. I have been, for over ten years, the head of Film Production at this University and, since 2016, I am the Coordinator of the Film Undergrad Course. I obtained my PhD with a thesis about Transmedia Storytelling, focused on the key role that movies can play within a transmedial structure or, in a broader sense, within a media ecosystem shaped by Cultural Convergence. Digital Storytelling as thus became a key feature of my research and teachings, from interactive fiction to expanded cinema, even though I never abandoned my former research subjects, that included television fiction and film production. I favour a multidisciplinary approach that combines traditional media production techniques with hypermedia and transmedia frameworks and tools.

Nélia Cruz holds a PhD in Literature and Culture (“Screenwriting as a cultural practice: the screenwriter gaze”) from the University of Lisbon. She is Specialist in Audiovisual and Multimedia Communication by IPLisboa, IPLeiria, IPPorto. Has worked as a TV Producer in Rádio e Televisão de Portugal (RTP) and also as a Production Director and Creative Director in independent film production (Zepelin Filmes and Sparkle Animation). Her research interests include screenwriting studies and audiovisual narratives, having been invited, as a speaker, to several conferences on these subjects. She is an investigator in English Studies at the University of Lisbon (CEAUL), where she produces work related with memory and nostalgia; and in the Centro de Literaturas e Culturas Lusófonas e Europeias (CLEPUL) where the project 25/S Television Studies, Communication, Culture and Aesthetics of Audiovisual Arts is being developed with her coordination. She is a screenwriter and a scriptwriting teacher having written, among other works, the awarded short film The Giant. She is currently developing the animation feature film Melpomina (supported by ICA for writing and development 2020)